Creative Production
AI-native video and static at a speed and price a traditional studio cannot match.
Video, static and motion. Delivered in platform-ready specs, ready to upload.
Your testing speed is capped by your production speed
A traditional UGC batch runs three to six weeks. Casting, shipping product, filming, editing, revisions. By the time it lands, the insight it was built on is a month old and the account has already moved past it.
So brands test less than they should. Not for lack of ideas, but because every idea arrives with a shoot attached, and a shoot has to be justified before it can be tried.
That turns production into a gate on learning. The cheapest concepts to test end up being the ones that never get made at all.
If making an ad is expensive, you will only ever make the safe ones.
What we do
Four outputs, one pipeline. No set, no crew, no shipping window.
AI video
Product video, VSLs and UGC-style creative built without a set, a crew or a courier tracking number.
Static and motion
Feed statics, motion graphics and animated banners produced from the same concept, so a campaign reads as one thing.
Localisation
New languages and markets handled as a production step rather than a second project with its own timeline.
Platform-ready delivery
Correct ratios, safe areas and specs for Meta feed, Reels, Stories and marketplace listings. Nothing needs re-cutting on your side.
How it works
Four steps. The point of the first one is to make the rest cheap.
Brief and boards
We agree the concept and the shot logic before anything is generated, so revisions stay cheap.
First cut in one to three days
You see a real asset rather than a mood board, while the idea is still current.
Revisions the same week
Feedback goes straight back into production. No re-shoot, no re-booking, no waiting on a crew.
Delivery
Final files in every ratio and spec you need, named so your ad account stays legible.
What you get
Finished assets, in the shapes your channels actually need.
- AI-produced video assets in the formats your channels use
- UGC-style creative without casting or shipping product
- Statics and motion graphics built from the same concept
- Every asset delivered in feed, Reels and Stories ratios
- Localised language versions where you sell across markets
- Captions and on-screen text, market by market
- Source files and a clear naming convention for your ad account
- First cut in one to three days, revisions the same week
Production runs as a retainer or as a one-off sprint. See pricing.
Proof
Three production problems, solved without a shoot.
Per asset, with full batches inside a month
Against the three to six weeks a traditional UGC batch takes. Roughly a tenfold difference in production speed.
Read the case study FAM HOMEAmazon.de product video with no shoot
Studio booking, logistics and the production budget line removed, with the same shelf presence on the listing.
See the work HOCUSSeasonal commercials for a local business
Christmas and Easter campaign films plus in-location offer screens, at a production level normally priced out of reach for a service business.
Read the case studySpeed figures are our own production timings, measured on the engagements linked above. Media results depend on the account running the ads, so we report those separately. See the full portfolio.
Creative production — frequently asked questions
One to three days per asset once the concept and boards are agreed. Full batches land inside a month. The boards stage is what makes that possible, so we do not skip it even when a brief is urgent.
Not if it is done properly, and that is mostly a judgment problem rather than a tool problem. The generation is the easy half. Knowing which output is publishable, and rejecting the ones that are almost right, is the part that takes a creative eye. It is also the reason we review everything before you see it.
Yes, and it usually improves the result. Product shots, brand guidelines, past top performers and existing footage all get used as references. We can also work from nothing but a product listing when that is all that exists.
Video in 9:16, 4:5 and 1:1 as standard, with 16:9 where you need it, plus statics and animated banners at the sizes your channels take. Marketplace listing specs, including Amazon, are handled too.
Yes. Localisation runs inside the same production pass rather than as a separate project, which is what keeps it fast. For Post-Peak we localised four videos for a new market in days.
Ship the ad while the idea is current
One call to scope your first batch and put a date on it.
Book a production call